mUltimate Chopin

Text Compare Notes Sources Description
Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main
Undo Clear

b. 300

composition: Op. 2, Variations, complete

No markings in sources

[ten. ten.], our alternative suggestion
..

Both bass notes are certainly to be played tenuto, as in the previous bars. The missing slur could be understood as an indication that the articulation should be other than legato; however, the tenuto markings are of a reminding nature: they indicate that the rhythmic value should be held to the end, which results from the context though – separating these notes as an independent voice written in long rhythmic values would be pointless if they were not to be held in full. Due to the above, we refrain from burdening the main text with indications that do not carry new information.

category imprint: Editorial revisions

b. 300

composition: (Op. 4), Sonata in C minor, Mvt IV

..

All sources feature a  to the G quaver. This accidental, in A written at the pitch of B, is a remaining element of the initial version, in which the 2nd half of the bar was the same as in the preceding bar. According to us, it could have been the initial version, changed in order to achieve a smoother transition – without repeating C – between the bars, or simply a mistake, consisting in copying the fragment of the preceding bar. In the main text we omit this unjustified accidental.

category imprint: Editorial revisions; Corrections & alterations; Source & stylistic information

issues: Corrections in A , Errors resulting from corrections

b. 300

composition: (Op. 4), Sonata in C minor, Mvt IV

..

In A there is no accidental to the 2nd quaver. The patent inaccuracy was corrected in GE (→FE,EE,IE).

category imprint: Interpretations within context; Differences between sources

issues: Accidentals in different octaves , GE revisions , Inaccuracies in A

b. 300

composition: (Op. 4), Sonata in C minor, Mvt IV

No fingering in A (→GE→FE,IE)

Fingering in EE
..

In the main text, we do not include the inauthentic L.H. fingering added by EE.

category imprint: Differences between sources

issues: EE revisions

b. 301

composition: Op. 21, Concerto in F minor, Mvt I

No sign in sources

 suggested by the editors
..

In the main text we suggest adding a  sign after bars 303 and 305 – cf. analogous bars 151-155.

category imprint: Editorial revisions