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b. 436-437
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composition: Op. 39, Scherzo in C♯ minor
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In EE minims are not dotted. When compared with other sources and corresponding bars we see an error here. There is a similar error in EE in b. 442. Compare also bars 75-89. category imprint: Differences between sources; Source & stylistic information issues: Errors in EE |
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b. 436
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composition: Op. 21, Concerto in F minor, Mvt III
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In the main text we add a cautionary category imprint: Editorial revisions |
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b. 436
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composition: Op. 11, Concerto in E minor, Mvt I
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The traces of changes visible in FE prove that Chopin changed the enharmonic notation of the chord – c1 (with a cautionary category imprint: Corrections & alterations; Source & stylistic information issues: Cautionary accidentals , Enharmonic corrections , Last key signature sign |
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b. 436-437
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composition: Op. 11, Concerto in E minor, Mvt I
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The moment of division of the slurs in FE is unclear – the slurs generally overlap over A, yet the shape of the slurs suggests rather the interpretation that we deemed to be likely. However, slurs in analogous places indicate a division of the slur before the penultimate semiquaver. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in FE , GE revisions |
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b. 436
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we begin the slur from the 1st semiquaver, in accordance with the slurs FE contains in the majority of analogous bars. Staccato dots are an arbitrary addition of a revision of GE3. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
before c2, after a sign written by Chopin an octave higher in an analogous figure in the previous bar.
1. The change was most probably followed by subsequent ones – the cautionary naturals before the c1 semiquaver in bar 436 and c2 in bar 437 were removed. All those accidentals are actually superfluous after bars 434-435; however, they prove that the B major key, present from bar 324, triggered the composer to clearly mark the return to the E minor key, beginning in the discussed bars. 
