Main text
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
compare
  b. 300-304

Wedges & dots in A

Dots in GE1 (→FE)

Dots in both hands in EE & GE2

Wedges suggested by the editors

The double articulation markings for the first crotchets in bars 300, 302 and 304 present in A are probably an element of an earlier concept – cf. bar 294. Due to this reason, it is only the wedges that we include in the main text. The dots in the L.H. are also absent in GE1 (→FE), although it does not seem to be a result of the proofreading. Replacing wedges with dots in GE (→FEEE) stems from the business-as-usual approach of the engraver of GE1, and perhaps also haste.

Compare the passage in the sources »

category imprint: Differences between sources; Editorial revisions

issues: EE revisions, Inaccuracies in GE, GE revisions

notation: Articulation, Accents, Hairpins

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