|
b. 299
|
composition: Op. 11, Concerto in E minor, Mvt III
..
The staccato dots with which GE3 provided the quavers in both hands in the 2nd half of the bar are an arbitrary addition of revision. category imprint: Differences between sources issues: GE revisions |
|||||
|
b. 299
|
composition: Op. 11, Concerto in E minor, Mvt III
..
The accent in GE is a revision or a mistake, which, according to us, is more likely. category imprint: Differences between sources issues: Errors in GE |
|||||
|
b. 299
|
composition: Op. 44, Polonaise in F♯ minor
..
The missing dot prolonging the bottom note of the octave, a2, despite the semblance of righteousness – in FE the bottom note is a quaver – is almost certainly an oversight. Wherever similarly written-down octaves (i.e. in two-part notation) are provided with dots, they are present next to both notes of an octave, irrespective of the notation of a given octave (one- or two-part). category imprint: Differences between sources issues: EE revisions , Errors in FE |
|||||
|
b. 299
|
composition: Op. 2, Variations, complete
category imprint: Differences between sources issues: Errors in GE |
|||||
|
b. 299
|
composition: Op. 2, Variations, complete
..
In the main text we add cautionary naturals to g1, a1 in the R.H. and to a, A in the L.H. AsI contains two of them, before a1 and A, while category imprint: Differences between sources; Editorial revisions issues: EE revisions , Cautionary accidentals , Authentic corrections of FE |
to a was also added by