



b. 287
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composition: Op. 2, Variations, complete
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The top notes of the chords on the 2nd beat of the bar, d1-f1, are written down in A (→GE→FE,FESB) on the top stave, as a result of which they came within range of the R.H. part octave sign. If they were to be included by the octave sign, it would be impossible to perform them with the L.H., which is clearly indicated by the stems and the beam shared with the f-b category imprint: Interpretations within context issues: EE revisions , Inaccuracies in A |
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b. 287-288
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composition: Op. 2, Variations, complete
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In AsI and A, accidentals were put only next to the top notes of the octaves – a category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 287-290
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composition: Op. 49, Fantaisie in F minor
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As in analogous bars 120-123, the category imprint: Differences between sources issues: EE revisions |
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b. 287
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composition: Op. 49, Fantaisie in F minor
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In FE the second half of the bar was written down using an abbreviation, as two crotchets with quaver tremolos. EE wrote this abbreviation in full, thus restoring – most probably unconsciously – the original notation. category imprint: Differences between sources issues: EE revisions , FE revisions |
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b. 288-291
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composition: Op. 39, Scherzo in C♯ minor category imprint: Differences between sources issues: Errors of GC |