FE1
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
compare
  b. 286

Long accent in A, contextual interpretation

 in A (literal reading→GE)

 in FE (→EE)

In A the sign is bigger than the majority of long accents, so it having been reproduced in GE as a  hairpin cannot be considered an inaccuracy. According to us, the context, however, definitely supports a long accent, which is in A in the corresponding bar of the exposition by the way (bar 138). The  sign in FE (→EE) is an example of a frequently appearing mistake, consisting in reversing the direction of a sign – cf. e.g. the Etude in C minor, Op. 10 No. 12, bar 53.

Compare the passage in the sources »

category imprint: Graphic ambiguousness; Differences between sources

issues: Long accents, Errors in FE, Sign reversal

notation: Articulation, Accents, Hairpins

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