



b. 288
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composition: Op. 21, Concerto in F minor, Mvt III
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The version of FE1 must be erroneous, which is proved by a comparison with analogous bars 286 and 290 as well as by the proofreading of FE2 (→EE), perhaps originated by Chopin. category imprint: Differences between sources issues: Errors in FE , Terzverschreibung error , Authentic corrections of FE |
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b. 288
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composition: Op. 11, Concerto in E minor, Mvt I
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Bars 288 and 304 are a repetition, modified accordingly, of bars 287 and 303 that precede them. Out of these 4 bars, it is only bar 288 that features the b3 note as the topmost one, which implies a possibility of a mistake. Due to this reason, in the main text we suggest an a3, like in the remaining bars. Such a correction was introduced already in GE3. category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: GE revisions |
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b. 288
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composition: Op. 11, Concerto in E minor, Mvt I
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The middle part of the bar, from the 3rd to the 8th note, is written in FE (→EE) with the use of an octave sign. In GE1 (→GE2), the mark was overlooked, as a result of which a corresponding fragment seems to be written an octave lower. The mistake was rectified in GE3 by moving the notes to the right pitch, like it was written in all editions in analogous bar 304. category imprint: Interpretations within context; Differences between sources issues: Errors in GE , GE revisions |
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b. 288
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composition: Op. 11, Concerto in E minor, Mvt I
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In GE1 (→GE2), the 8th semiquaver is a d category imprint: Interpretations within context; Differences between sources issues: Errors in GE , Terzverschreibung error , GE revisions |
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b. 288
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composition: Op. 11, Concerto in E minor, Mvt I
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A comparison with analogous bars 287 and 303-304 points to an inaccurate placement of the category imprint: Differences between sources; Editorial revisions issues: EE revisions , Inaccuracies in FE , GE revisions |