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b. 286-288
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In A there is no accidental to the last quaver in bar 286 and 288. The patent inaccuracy was corrected in GE (→FE,EE,IE). category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 287
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composition: Op. 39, Scherzo in C♯ minor
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The accent form intended by Chopin is hard to determine: it is rather short in EE and rather long in FE and GE. The accent in GC can be interpreted both ways. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents |
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b. 287
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composition: Op. 42, Waltz in A♭ major
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In EE the pedal release mark was placed slightly earlier, after the 1st crotchet. To the main text we adopt the notation of FE, where the sign was placed after the last rest. The lack of sign in FEG, though not infrequent at the end of Chopin's works, in this case should be regarded as an imprecision. category imprint: Differences between sources issues: Authentic corrections of FE , Authentic corrections of EE |
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b. 287
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composition: Op. 21, Concerto in F minor, Mvt I
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Same as in analogous bar 139, in A Chopin overlooked the category imprint: Interpretations within context; Editorial revisions issues: Errors in FE , Errors in EE , Omissions to cancel alteration , Errors in GE , Errors of A |
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b. 287
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composition: Op. 21, Concerto in F minor, Mvt I
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This time the
category imprint: Interpretations within context; Differences between sources issues: Authentic corrections of GE |
in 
returning a
1, which remained unnoticed in all editions.