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b. 274

composition: Op. 49, Fantaisie in F minor

..

In the 2nd half of the bar Chopin overlooked in A the naturals raising a1 to a1 and f1 to f1. In the editions only the latter was corrected (both are patent inaccuracies).

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE

b. 275

composition: Op. 39, Scherzo in C♯ minor

..

In FE, the 5th quaver looks like b, as the note head is lacking its ledger line. The intended text is nonetheless obvious here.

category imprint: Source & stylistic information

issues: Errors in FE

b. 275

composition: Op. 39, Scherzo in C♯ minor

No markings in EE

in GC (→GE) and FE
..

In EE, the dashes defining the scope of the diminuendo end as early as bar 274. This is most probably an oversight, as in that edition we find no performance markings (apart from slurs) until bar 286. 

category imprint: Differences between sources

issues: Errors in EE

b. 275-276

composition: Op. 35, Sonata in B♭ minor, Mvt II

in GC

No sign in FE (→EE) & GE
..

The  hairpin was probably added in GC by Chopin. The missing sign in GE is certainly a mistake of the engraver who perhaps was not sure where to put the sign.

category imprint: Differences between sources; Corrections & alterations

issues: Errors in GE , Authentic corrections in GC

b. 275

composition: Op. 35, Sonata in B♭ minor, Mvt II

..

EE1 has erroneously g instead of a as the inner note of the last L.H. chord. The mistake was corrected in EE2.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in EE