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b. 273

composition: Op. 2, Variations, complete

..

In EE the instrument indication was changed: from the Chopinesque "Cello" to "V-llo", which, of course, denotes the same instrument. In FESB the marking reads "Collo", which is a mistake.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE

b. 273

composition: Op. 2, Variations, complete

Accent in A (→GE→FE,FESB)

No mark in EE
..

We consider the missing accent in EE to be the engraver's oversight; he probably forgot about it due to the need to change the beaming (in EE the first two beats of the L.H. part are connected by one beam).

category imprint: Differences between sources

issues: Errors in EE

b. 274

composition: Op. 39, Scherzo in C♯ minor

..

A cautionary  before a2 was added in GE. The corresponding sign visible in EE is also probably the reviser's addition, yet surely justified in the context. 

category imprint: Differences between sources

issues: EE revisions , GE revisions , Cautionary accidentals

b. 274

composition: Op. 39, Scherzo in C♯ minor

..

A cautionary  before b was added in GE2. The corresponding sign visible in EE is also probably the reviser's addition, yet definitely justified after b in the preceding bar.  

category imprint: Differences between sources

issues: GE revisions , Cautionary accidentals

b. 274

composition: Op. 35, Sonata in B♭ minor, Mvt II

No markings in the sources

Pedalling suggested by the editors
..

The lack of pedalling in this bar may be regarded as Chopin's oversight – markings in the next two bars suggest that the composer did not link pedal indications with the lower bass note being struck. The complement suggested by the editors is particularly advisable when the pianist employs a division between hands implied by the score.

category imprint: Editorial revisions