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b. 272

composition: (Op. 4), Sonata in C minor, Mvt IV

No sign in A

 in GE (→FE,EE,IE)

[] suggested by the editors

..

In the main text we suggest supplementing pedal markings in accordance with the Chopinesque indications in analogous bar 266 and 268. The mark added in GE (→FE,EE,IE) corresponds to the version of the editions in bar 268.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions , No pedal release mark

b. 272-274

composition: (Op. 4), Sonata in C minor, Mvt IV

..

In bar 272 and 274 Chopin omitted the flats to c3. They were added in GE (→FE,EE,IE).

category imprint: Interpretations within context; Differences between sources

issues: Accidentals in different octaves , GE revisions , Inaccuracies in A

b. 273

composition: Op. 42, Waltz in A♭ major

e in FE & EE

Octave in FEG (→GE)

..

In FEG (→GE) Chopin enhanced the sound of the 1st crotchet by adding the E octave. In the bass FE and EE have only an e

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of GE

b. 273

composition: Op. 42, Waltz in A♭ major

..

The  indication only appears in FEG (→GE).

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of GE

b. 273-276

composition: Op. 42, Waltz in A♭ major

No pedalling in FE0 (→EE) & FEG (→GE)

Pedalling in FE1

..

As in bar 261 Chopin wrote the pedalling in those bars only in the proofs of FE.

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE