b. 331
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composition: Op. 2, Variations, complete
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In GE (→FE,EE) the e1 crotchet is provided with two augmentation dots, which could have been caused by the spot in A, resembling a second dot. It must be a mistake, since this e1 note is continued by the d1 quaver, falling on the 4th quaver in the bar. In FESB this note was placed on one stem with the g1 quaver, which changed its value to a double dotted quaver. It was probably an attempt at correcting the excessive rhythmic value of this note. category imprint: Interpretations within context; Differences between sources issues: Different values of chord components , Errors in GE , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 332
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composition: Op. 21, Concerto in F minor, Mvt III category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 332-335
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composition: Op. 11, Concerto in E minor, Mvt III
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The ties of c1 in bars 332-333 and 334-335 were most probably added by Chopin in the last phase of proofreading of FE (→EE). In bar 335, it is the sustained c1 that was crossed out in FEH, which is most probably just a category imprint: Differences between sources; Source & stylistic information issues: Annotations in teaching copies , Authentic corrections of FE , Annotations in FEH |
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b. 332
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we give a long accent with which Chopin replaced in FC the original reversed accent, inaccurately reproduced as a hairpin both in FC and FE (→EE). The short accent in GE is a typical inaccuracy related to Chopinesque long accents, which do not belong to the canon of generally applied indications. category imprint: Differences between sources; Corrections & alterations issues: Long accents , Authentic corrections of FC |
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b. 332
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composition: Op. 31, Scherzo in B♭ minor
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Chopin deleted in A the mark filling the middle part of the bar. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A |