b. 331
|
composition: Op. 21, Concerto in F minor, Mvt III
..
The missing dots extending the b-d1 third in FE may mean that they could have been added in the last phase of proofreading of GE1. The authenticity of this addition is questionable (same as of a similar change in EE). category imprint: Differences between sources issues: EE revisions , GE revisions |
|||||||||
b. 331
|
composition: Op. 16, Rondo in E♭ major
..
We add a cautionary before f1 in the main text. category imprint: Editorial revisions |
|||||||||
b. 331-332
|
composition: Op. 2, Variations, complete
..
In the main text we include – in a variant form – the fingering entered into AsI, complementing the fingering of A. The digit '1' added in FESB on the penultimate semiquaver in bar 331 is either a correct revision or a fortuitous mistake – in this edition there is no staccato mark over this note, which was perhaps interpreted as a digit. category imprint: Differences between sources; Editorial revisions |
|||||||||
b. 331
|
composition: Op. 2, Variations, complete
..
In AsI and A there is no to the 2nd semiquaver (E), while in A also no to the 13th semiquaver (f). The accidentals were added in GE (→FE,EE). In AsI Chopin did not forget , since he enharmonically wrote the preceding note as f. In the main text we add a cautionary to the 4th semiquaver (G). category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Accidentals in different octaves , GE revisions , Enharmonic corrections |
|||||||||
b. 331
|
composition: Op. 2, Variations, complete
..
The missing dynamic hairpins under the L.H. part are almost certainly a mistake by the engraver of GE1. It is difficult to determine the exact range of the marks in A, since their arms are of different length. category imprint: Graphic ambiguousness; Differences between sources issues: Scope of dynamic hairpins , Errors in GE , Inaccuracies in A |