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b. 270

composition: Op. 49, Fantaisie in F minor

..

In A and FE there is no  raising d1 to d1 in the 2nd quaver in the bar. The patent inaccuracy was corrected in GE and EE. In both these editions a cautionary  to b1 at the beginning of the bar was also added. We include this accidental in the main text.

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A , Errors repeated in FE

b. 270

composition: (Op. 4), Sonata in C minor, Mvt IV

 in A (→GEIE)

No sign in FE & EE

..

The missing  mark in FE and EE is probably an oversight by the engravers; in the case of EE it is already a second oversight of this kind (see bars 266-268). Judging from the version of the aforementioned bars, the A mark could have been written inaccurately (too early); however, in the main text we keep the source notation. 

category imprint: Differences between sources

issues: Errors in FE , Errors in EE , Inaccuracies in A

b. 270

composition: (Op. 4), Sonata in C minor, Mvt IV

..

In A the accidental to the 6th quaver is missing. The patent inaccuracy was corrected in GE (→FE,EE,IE).

category imprint: Interpretations within context; Differences between sources

issues: Accidentals in different octaves , GE revisions , Inaccuracies in A

b. 270-274

composition: (Op. 4), Sonata in C minor, Mvt IV

..

As in the previous bars, in A there is not a single  to the bottom note of the octaves (D). The patent inaccuracy was corrected in GE (→FE,EE,IE).

category imprint: Interpretations within context; Differences between sources

issues: Accidentals in different octaves , GE revisions , Inaccuracies in A

b. 271

composition: Op. 39, Scherzo in C♯ minor

No sign in EE & GC (→GE)

 in FE

Our variant suggestion

..

The  mark is only present in FE. Both versions of the pedalling are authentic and, in our opinion, equally valid, so we offer the variant solution in the main text.

category imprint: Differences between sources