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b. 269-270

composition: Op. 43, Tarantella

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Crossings-out visible in A show that the two last bass octaves were originally written an octave higher.

category imprint: Corrections & alterations; Source & stylistic information

issues: Corrections in A , Deletions in A , Accompaniment changes , Bass register changes

b. 269

composition: Op. 44, Polonaise in F♯ minor

Crotchet in GE & FE

Dotted crotched in EE
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Like in analogous b. 36, the missing dots prolonging the f1-f2 octave must be Chopin's oversight. The dots were added by EE.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions

b. 269

composition: Op. 2, Variations, complete

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In the main text we add a cautionary  to F. The accidental was also added by FE (it cannot be ruled out that at Chopin's request) and by EE3, probably on the basis of a comparison with FE.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , Cautionary accidentals , Authentic corrections of FE , FE revisions

b. 269

composition: Op. 49, Fantaisie in F minor

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In EE2 a cautionary  was added to e2 in the last quaver.

category imprint: Differences between sources

issues: EE revisions

b. 269

composition: (Op. 4), Sonata in C minor, Mvt IV

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EE1 has an a as the top note of the chord at the beginning of the bar. This is certainly a mistake, as indicated by the text of other sources, the awkward spelling without a cautionary , and a comparison with the analogous bar 68.

category imprint: Differences between sources

issues: EE revisions , Errors in EE