



b. 268-269
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composition: Op. 31, Scherzo in B♭ minor
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The reviser of GE2 assimilated the slurring over the b. 268-269 and 288-289 with the slurring of an analogous phrase in b. 369-370. It is difficult to find a justification for that decision: the unquestionable text was changed in three places (also in b. 390-391) on the basis of the fourth, questionable one (the notation of FC in b. 369-370 actually does not suggest a combination of the slurs). Therefore, it comes as no surprise that GE3 returned to the authentic version. category imprint: Differences between sources issues: GE revisions |
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b. 268
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composition: Op. 22, Polonaise
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The second half of the bar is written in the sources even more carelessly than in b. 264. In FE (→GE1), there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Accidentals in different octaves , Omissions to cancel alteration , GE revisions , Errors repeated in GE , Errors repeated in EE |
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b. 268
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composition: Op. 22, Polonaise
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In the main text we suggest adding a wedge after analogous b. 264. category imprint: Editorial revisions |
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b. 268
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composition: Op. 44, Polonaise in F♯ minor
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As was the case with category imprint: Differences between sources |
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b. 268-281
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composition: Op. 44, Polonaise in F♯ minor
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In b. 268-277 and 279-281, in the main text we include the pedal markings of GE, entered probably into [A] after [FC] had been finished. See also b. 271 and 278. category imprint: Differences between sources |