|
b. 326
|
composition: Op. 21, Concerto in F minor, Mvt III
..
Adjusting slurs to bars is a characteristic manner of the engraver of GE1. The version of A was restored in GE2. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
|||||||||||
|
b. 326-327
|
composition: Op. 21, Concerto in F minor, Mvt I
..
When interpreted literally, the slur of A does not exceed bar 326. However, its shape suggests leading it to the beginning of bar 327, which is confirmed by the corrected – most probably by Chopin – slur of GE (→FE→EE). category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A , Authentic corrections of GE , Corrected slurs of Op. 21 in GE1 |
|||||||||||
|
b. 326
|
composition: Op. 21, Concerto in F minor, Mvt III
..
The type of the accent used by Chopin at the beginning of this bar is unclear. The shape of the sign suggests a short accent, and this is how it was reproduced in GE. However, in all similar bars – bars 4, 10, 26, 28, 328, 334 and 336 – the accent in the R.H. is a long accent. Due to this reason, in the main text we suggest a long accent. The versions of FE and EE are inauthentic: the first is inaccurate, whereas the second – clearly erroneous. category imprint: Differences between sources issues: Long accents , EE revisions , Inaccuracies in FE |
|||||||||||
|
b. 326-328
|
composition: Op. 21, Concerto in F minor, Mvt III
..
Omission of the staccato dots under c in bars 326 and 328 must be a mistake of GE1 (→FE). The sign in bar 328 was added in EE most probably on the basis of comparison with analogous bar 336. In GE2 the dots were added in accordance with A. category imprint: Differences between sources issues: EE revisions , Errors in GE , GE revisions |
|||||||||||
|
b. 326-328
|
composition: Op. 11, Concerto in E minor, Mvt I
category imprint: Differences between sources issues: EE revisions |
