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b. 266
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composition: Op. 49, Fantaisie in F minor
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The range of the FE slur deviates from the slurs in all three previous analogous places (bars 95-96, 99-100 and 262-263), which suggests a mistake by the copyist or by the engraver. category imprint: Differences between sources |
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b. 266-268
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In A there are no accidentals in the 2nd half of bar 266 and 268. They were added in GE (→FE,EE,IE). category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 266-268
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composition: (Op. 4), Sonata in C minor, Mvt IV
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The missing cresc. at the end of bar 266 and 268 is almost certainly a revision by the engraver of GE, who made his work easier by omitting indications he considered pleonastic next to the category imprint: Differences between sources issues: GE revisions |
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b. 266-268
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In the main text we provide pedal markings after A. In the editions they were reproduced erroneously or inaccurately – the category imprint: Differences between sources issues: Inaccuracies in GE , Errors in EE , Errors in GE |
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b. 266-269
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In the main text, we do not include the inauthentic L.H. fingering added by EE. category imprint: Differences between sources issues: EE revisions |
hairpin.
in middle of b. 236 & 238 in 
