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b. 267-268

composition: Op. 43, Tarantella

 
 
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We tie A in b. 267 to A-a octave in b. 268.

category imprint: Interpretations within context; Editorial revisions

b. 267

composition: Op. 43, Tarantella

 
 
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In A there is no slur over the first and second beat of the LH part.

category imprint: Differences between sources

issues: Errors of A

b. 267-270

composition: Op. 39, Scherzo in C♯ minor

Pedalling in EE & GC (→GE)

Pedalling in FE

Our variant suggestion
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The pedalling of EE and GC (→GE) is definitely authentic. The pedalling of FE does not raise much doubt either, apart from the placement of the  mark in bar 267, which seems inaccurate (see the note to bar 259). We include the two versions of pedalling, both of them probably authentic, as variants. 

category imprint: Differences between sources

issues: Inaccuracies in FE

b. 267

composition: Op. 39, Scherzo in C♯ minor

D1 in EE, GC (→GE) & FE2

F1 in FE1
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At the beginning of the bar FE1 has F1. This is almost certainly an error and it got corrected in FE2.

category imprint: Differences between sources

issues: Errors in FE

b. 267

composition: Op. 39, Scherzo in C♯ minor

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A rest on the 2nd beat of the bar is missing in FE.

category imprint: Source & stylistic information

issues: Errors in FE