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b. 268-269
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composition: Op. 21, Concerto in F minor, Mvt I
..
When interpreted literally, the slur of A ends still in bar 268. According to us, the notation, however, does not exclude an intention of leading it to the last note of the phrase in the next bar. We suggest this interpretation, compliant with the phrase's structure, in the main text. Doubled slurs in the L.H. in the editions – see the note to bar 267. category imprint: Differences between sources issues: EE revisions , Inaccurate slurs in A , GE revisions |
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b. 268-269
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composition: Op. 21, Concerto in F minor, Mvt I
..
The change of the continuous slur of A to overlapping slurs in the editions may be, according to us, a result of the proofreading of the original inaccurate slurring of GE1 – Chopin could have e.g. added the first slur, if initially only the second had been printed. In such a situation, the slurs of GE (→FE→EE) could be regarded as an equal variant of notation. However, in the main text we leave the undoubtedly authentic version of A. category imprint: Differences between sources |
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b. 268
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composition: Op. 21, Concerto in F minor, Mvt III category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves |
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b. 268-269
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composition: Op. 11, Concerto in E minor, Mvt III
category imprint: Differences between sources issues: EE revisions |
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b. 268
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composition: Op. 16, Rondo in E♭ major
category imprint: Differences between sources issues: Errors in GE |
lowering g2 to g
2. The sign was added already in 
