



b. 266-273
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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In the main text, we give dim. indication already in bar 266, according to GC (→GE). Its later occurrence in FE (→EE) could have been due to the new line starting at bar 267. The lack of the later indications – rallentando and lento – is certainly a result of engraver's oversight. category imprint: Differences between sources issues: Inaccuracies in FE , Errors in GE , GE revisions |
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b. 266
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composition: Op. 21, Concerto in F minor, Mvt I
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The absence of c2 in the chords is almost certainly a result of an oversight of the engraver of GE1 (→FE→EE). category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 266
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composition: Op. 21, Concerto in F minor, Mvt I
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The cautionary flat before d category imprint: Editorial revisions |
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b. 266-271
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composition: Op. 11, Concerto in E minor, Mvt I
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Fontana's fingering in bars 266-268 and 270-271 draws attention to combining legato the second bass motifs at the transitions between the bars. category imprint: Differences between sources issues: EE revisions |
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b. 266
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composition: Op. 2, Variations, complete
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None of the sources contains a category imprint: Interpretations within context; Editorial revisions issues: Omissions to cancel alteration , Errors of A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |