mUltimate Chopin

Op. 11, Concerto in E minor, Mvt I

Text Compare Notes Sources Description
EE
Main text
Atut - Autograph of first Tutti
FE - French edition
FE1 - First French edition
FED - Dubois copy
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE2
EE3 - Revised impression of EE2
compare
  b. 266-271

No fingering in FE (→GE)

Fontana's fingering in EE

Fontana's fingering in bars 266-268 and 270-271 draws attention to combining legato the second bass motifs at the transitions between the bars.

Compare the passage in the sources »

category imprint: Differences between sources

issues: EE revisions

notation: Pitch

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