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b. 266-268
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In the main text we provide pedal markings after A. In the editions they were reproduced erroneously or inaccurately – the category imprint: Differences between sources issues: Inaccuracies in GE , Errors in EE , Errors in GE |
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b. 266-269
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In the main text, we do not include the inauthentic L.H. fingering added by EE. category imprint: Differences between sources issues: EE revisions |
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b. 267-268
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composition: Op. 43, Tarantella
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We tie A category imprint: Interpretations within context; Editorial revisions |
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b. 267
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composition: Op. 43, Tarantella
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In A there is no slur over the first and second beat of the LH part. category imprint: Differences between sources issues: Errors of A |
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b. 267-270
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composition: Op. 39, Scherzo in C♯ minor
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The pedalling of EE and GC (→GE) is definitely authentic. The pedalling of FE does not raise much doubt either, apart from the placement of the category imprint: Differences between sources issues: Inaccuracies in FE |
in middle of b. 236 & 238 in 
in b. 267 to A
mark in bar 267, which seems inaccurate (see the note to bar 