mUltimate Chopin

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Undo Clear

b. 266-268

composition: (Op. 4), Sonata in C minor, Mvt IV

 in middle of b. 236 & 238 in A 

 at end of b. 268 in GE (→FE,IE)

No markings in EE
..

In the main text we provide pedal markings after A. In the editions they were reproduced erroneously or inaccurately – the  mark in bar 266 was overlooked, while in bar 268 it was placed at the end of the bar (in EE this bar was overlooked too).

category imprint: Differences between sources

issues: Inaccuracies in GE , Errors in EE , Errors in GE

b. 266-269

composition: (Op. 4), Sonata in C minor, Mvt IV

No fingering in A (→GE→FE,IE)

Fingering in EE
..

In the main text, we do not include the inauthentic L.H. fingering added by EE.

category imprint: Differences between sources

issues: EE revisions

b. 267-268

composition: Op. 43, Tarantella

 
 
..

We tie A in b. 267 to A-a octave in b. 268.

category imprint: Interpretations within context; Editorial revisions

b. 267

composition: Op. 43, Tarantella

 
 
..

In A there is no slur over the first and second beat of the LH part.

category imprint: Differences between sources

issues: Errors of A

b. 267-270

composition: Op. 39, Scherzo in C♯ minor

Pedalling in EE & GC (→GE)

Pedalling in FE

Our variant suggestion
..

The pedalling of EE and GC (→GE) is definitely authentic. The pedalling of FE does not raise much doubt either, apart from the placement of the  mark in bar 267, which seems inaccurate (see the note to bar 259). We include the two versions of pedalling, both of them probably authentic, as variants. 

category imprint: Differences between sources

issues: Inaccuracies in FE