|
b. 265-269
|
composition: (Op. 4), Sonata in C minor, Mvt IV
..
In A there is not a single category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
|||||
|
b. 265
|
composition: (Op. 4), Sonata in C minor, Mvt IV
..
In A Chopin did not restore the bass clef in this place, which renders the notation illogical until the end of the line in bar 270 (at the beginning of a new line, there is a bass clef). The mistake was corrected in GE (→FE,EE,IE). category imprint: Interpretations within context; Differences between sources issues: GE revisions , Errors of A |
|||||
|
b. 265
|
composition: (Op. 4), Sonata in C minor, Mvt IV
..
The category imprint: Differences between sources issues: Errors in GE |
|||||
|
b. 266
|
composition: Op. 39, Scherzo in C♯ minor
..
The absence of the arpeggio wavy line in EE is probably an error, yet we cannot rule out the possibility that this was the initial version of the notation here. category imprint: Differences between sources issues: Errors in EE |
|||||
|
b. 266
|
composition: Op. 39, Scherzo in C♯ minor
..
GC (→GE) has no pedal marks in this bar. This is almost certainly the mistake of the copyist (see also notes to bars 260-265 and 265-266). category imprint: Differences between sources issues: Errors of GC |
to the bottom note of the octaves (D
) in these bars (as well as in the next ones, until bar 274). The patent inaccuracy was corrected in 
in 
in 
