mUltimate Chopin

Op. 49, Fantaisie in F minor

Text Compare Notes Sources Description
Page: 
Source: 
p. 6, b. 91-105
p. 1, b. 1-20
p. 2, b. 21-42
p. 3, b. 43-60
p. 4, b. 61-75
p. 5, b. 76-90
p. 6, b. 91-105
p. 7, b. 106-126
p. 8, b. 127-147
p. 9, b. 148-163
p. 10, b. 164-178
p. 11, b. 179-198
p. 12, b. 199-224
p. 13, b. 225-240
p. 14, b. 241-255
p. 15, b. 256-271
p. 16, b. 272-293
p. 17, b. 294-315
p. 18, b. 316-332
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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Graphic ambiguousness
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
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Differences
No differences
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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Main
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  b. 94-98

No in A (→GE)

in FE (→EE)

The missing  in bar 94 and 98 is not an oversight in A (→GE), since Chopin was probably adding various dynamic markings both to A (accent – see the next note) and [FC], being the basis for FE (). Both marks can be considered in isolation, interpreting them in a way leading to a different performance, or jointly, seeing in them various aspects of the same interpretation. In the main text we adhere to the version of the principal source, that is A.

See b. 93-97

Compare the passage in the sources»

category imprint: Differences between sources

issues:

notation: Articulation, Accents, Hairpins

Missing markers on sources: A, FE1, FE2, FEJ, FES, GE1, GE2, EE1, EE2
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