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b. 262

composition: Op. 2, Variations, complete

on 4th beat in A & FESB

on 3rd beat in GE (→FE1,EE)
..

According to us, the placement of the  indication is an example of Chopin using here a convention of writing indications within and not at the beginning of the scope of their validity. Due to the above, in the main text we give preference to the version of GE (→FE1,EE). The version of FESB resulted from the engraver's inaccuracy, and its compliance with A must be accidental, since throughout the entire piece, no features of FESB suggest that this publisher could have had an insight into A. 

category imprint: Interpretations within context; Differences between sources

issues: GE revisions , Centrally placed marks , Inaccuracies in FESB

b. 262-266

composition: Op. 49, Fantaisie in F minor

Staccato dot in b. 266 in A (→GE)

No marks in FE (→EE)

Dots in b. 262 & 266 suggested by the editors
..

In the main text we suggest adding a staccato dot in bar 262, as this is the only one among the four crotchets in analogous bars (bar 95, 99 and 266) that Chopin did not provide with a dot in A. In FE (→EE) dots are absent in all the above bars.

category imprint: Differences between sources; Editorial revisions

b. 262-263

composition: Op. 49, Fantaisie in F minor

4 slurs, 2 notes each in A (→#Wn)

2 slurs, 4 notes each in FE (→EE)
..

The FE slurs may be authentic, although the random nature of this variant rules out a serious change of concept. Chopin could have added these two four-quaver slurs in a place in which the copyist or the engraver overlooked the actual shorter slurs. They indicate rather musical articulation (motifs) than a pianistic gesture, as the L.H. slurs written in A in bars 95-96 and 99-100.

category imprint: Differences between sources

b. 262-263

composition: (Op. 4), Sonata in C minor, Mvt IV

..

In the main text we omit the unnecessarily repeated  to d3 at the end of bar 262; the accidental was also omitted in GE (→FE,EE,IE). On the other hand, we add a cautionary  to a2 at the beginning of bar 263.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions , Cautionary accidentals

b. 263

composition: Op. 43, Tarantella

 
 
..

In GE there is no accent on the second beat of the bar.

category imprint: Differences between sources

issues: Inaccuracies in GE