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b. 311
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composition: Op. 16, Rondo in E♭ major
category imprint: Editorial revisions issues: Triplet slurs |
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b. 311-333
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composition: Op. 31, Scherzo in B♭ minor
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The accents, written in A in b. 311, 313 and analog., have almost certainly the same meaning despite the differences – generally minor ones – in length and shape. The majority of the marks are rather short; however, a few (b. 311, 317 & 333) may be considered long. Four undoubtedly long accents appear also in the repetition of this section (b. 417, 425, 433 & 435), which makes us place in the main text long accents only. At the same time, we add the accent in b. 331, overlooked by Chopin. We consider the version of GE2 (→GE3) with a set of short accents to be an alternative solution. category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions issues: Long accents |
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b. 311
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composition: Op. 44, Polonaise in F♯ minor
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FE1 lacks both the category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Omissions to cancel alteration , Omission of current key accidentals , FE revisions , Errors repeated in EE |
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b. 311
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composition: Op. 2, Variations, complete
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The wedges, added to the bass crotchets in GE1 certainly by mistake, were strangely consistently repeated by all the remaining editions. The source of the mistake could be the first crotchet stem, to f, which in A does not reach the notehead and therefore could have been considered a wedge. category imprint: Differences between sources issues: Errors in GE , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 311
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composition: Op. 2, Variations, complete
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We add a cautionary category imprint: Editorial revisions |
raising e1 to e
1 at the beginning of the bar, and the 
restoring e1 two quavers later. In 
