



b. 255-256
|
composition: Op. 16, Rondo in E♭ major
..
In FE, there is no beginning of the slur in the L.H. in bar 255 (the last bar in the great stave) – there is only its ending in bar 256 (the first bar in a new line). It was corrected both in GE and EE. category imprint: Interpretations within context; Differences between sources; Source & stylistic information issues: EE revisions , Inaccuracies in FE , GE revisions , Uncertain slur continuation |
|
b. 255
|
composition: Op. 16, Rondo in E♭ major
..
FE (→GE) lacks the last syllable in the word crescendo. The patent mistake was corrected by the reviser of EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Inaccuracies in FE , Errors repeated in GE |
|
b. 255
|
composition: Op. 16, Rondo in E♭ major category imprint: Editorial revisions; Source & stylistic information |
|
b. 255-256
|
composition: Op. 22, Polonaise
..
In the main text we omit the cautionary category imprint: Editorial revisions issues: Cautionary accidentals |
|
b. 255
|
composition: Op. 2, Variations, complete
..
Both in the last L.H. chord and in the R.H. arpeggio on the 4th beat of the bar, neither AsI nor Af nor A (→GE1→FE,EE) contain accidentals before g/g
The decisive argument for g is provided by the orchestral part – there is a g note in the 2nd violins, and the violins could not play g The first edition to add naturals was GE2 (→FESB), 4 accidentals in total raising g category imprint: Interpretations within context; Differences between sources issues: Errors in GE , GE revisions , Errors of A , Last key signature sign |