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b. 308

composition: Op. 21, Concerto in F minor, Mvt I

No markings in sources

Pedalling suggested by the editors
..

We consider the omission of pedalling markings in this bar to be Chopin's oversight – cf. analogous bar 306.

category imprint: Editorial revisions

b. 308

composition: Op. 11, Concerto in E minor, Mvt I

..

FE feature an erroneous e as the 6th semiquaver – cf. bar 292. The mistake was corrected in the remaining editions and in FEH.

category imprint: Interpretations within context; Differences between sources

issues: Annotations in teaching copies , EE revisions , Terzverschreibung error , GE revisions , Annotations in FEH

b. 308-309

composition: Op. 11, Concerto in E minor, Mvt I

No marks in FE (→GE)

Short accents in EE

Long accents suggested by the editors
..

The accents in EE were added most probably on the basis of both analogous bars 292-293 and adjacent bars 307 and 310. In the main text, we suggest a similar addition; however, we apply long accents, just like in the remaining bars.

category imprint: Differences between sources; Editorial revisions

issues: Long accents , EE revisions

b. 308-309

composition: Op. 44, Polonaise in F♯ minor

Without d in L.H. in GE

3 d in L.H. in FE (→EE)
..

Like in b. 23-24 and analogous, in the main text we follow FE, proofread by Chopin, in which he added three d notes in the L.H. part: on the 1st and 3rd beats of b. 308 and on the 1st beat of b. 309.

category imprint: Differences between sources

issues: Authentic corrections of FE

b. 308

composition: Op. 2, Variations, complete

f1 in chord in AsI & A (→GE→EE,FESB)

No f1 in FE1 (→FE2)
..

Due to the traces of removal of f1 from the 1st R.H. chord visible in FE, it is almost certain that this place underwent Chopinesque proofreading. 

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE