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b. 306-310
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composition: Op. 49, Fantaisie in F minor
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As was the case with stretto in bar 290 and più mosso in bar 294, sempre più mosso was also a later Chopinesque addition to A (→GE). On the basis of GE1, it was also added by EE2. None of these editions reproduced the dashes marking the range of the indication correctly – in GE they were led a bar too far, whereas in EE2 they were overlooked. category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Inaccuracies in GE |
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b. 306
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composition: Op. 49, Fantaisie in F minor
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In FE1 the middle note of the penultimate R.H. chord is an erroneous d category imprint: Interpretations within context; Differences between sources issues: Errors in FE , FE revisions |
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b. 307-311
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composition: Op. 39, Scherzo in C♯ minor
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The slur in GC is clearly too long, especially at its end, which was corrected in GE. For the main text we have adopted complying versions of EE and FE. category imprint: Differences between sources issues: GE revisions , Inaccuracies in GC |
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b. 307
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composition: Op. 21, Concerto in F minor, Mvt I
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In the main text we add a cautionary category imprint: Editorial revisions |
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b. 307
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composition: Op. 21, Concerto in F minor, Mvt I
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In A (→GE→FE) there are no naturals before the d1 notes (in both hands) and d3. In EE two of them were added (apart from d1 in the R.H.). category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Omission of current key accidentals , Inaccuracies in A |
2 instead of e
before b