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b. 400-401

composition: Op. 16, Rondo in E♭ major

Hairpins in FE

Hairpins in GE & EE3

No signs in EE1 (→EE2)

Hairpin suggested by the editors

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , Inaccuracies in GE , Errors in EE

b. 400-401

composition: Op. 11, Concerto in E minor, Mvt III

in FE, literal reading

​​​​​​​ in FE, contextual interpretation

  ​​​​​​​​​​​​​​ in GE1 (→GE2)

​​​​​​​ in EE

    in GE3

..

In bar 401, the  mark is placed in FE after the d​​​​​​​1-a1 crotchet, which is most probably an inaccuracy, since it cannot be justified in terms of sound. The notation was revised – in various ways – both in GE and EE. In the main text, we suggest yet another solution, combining harmonic purity with a high compliance with the original notation.

category imprint: Differences between sources; Editorial revisions

issues: Inaccuracies in FE , GE revisions

b. 400

composition: Op. 11, Concerto in E minor, Mvt III

​​​​​​​ in FE (→EE,GE1GE2)

No marking in GE3

..

The missing ​​​​​​​ is most probably an oversight of the engraver of GE3.

category imprint: Differences between sources

issues: Errors in GE

b. 400

composition: Op. 31, Scherzo in B♭ minor

..

In all editions except for GE2 the whole-bar rest was specified with the digit 1, one (FE and GE3) or both GE1 and EE).

category imprint: Differences between sources

issues: EE revisions , GE revisions , FE revisions

b. 401

composition: Op. 39, Scherzo in C♯ minor

..

In GC (→GE1) erroneously there is h as the bottom note of the chord in RH, corrected to g in GE2.

category imprint: Source & stylistic information

issues: GE revisions