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b. 255
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composition: Op. 11, Concerto in E minor, Mvt I
..
In the main text, we include the characteristic Chopinesque indication, requiring the grace note to be performed simultaneously with the corresponding note in the L.H.
See the Nocturne in D category imprint: Differences between sources |
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b. 255
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composition: Op. 11, Concerto in E minor, Mvt I
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The slashed grace note in GE is most probably a revision or maybe an inaccuracy. In the main text, we preserve the notation of FE (→EE), which is probably authentic. There is a similar situation in bar 257. category imprint: Differences between sources issues: GE revisions |
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b. 255-256
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composition: Op. 16, Rondo in E♭ major
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In FE, there is no beginning of the slur in the L.H. in bar 255 (the last bar in the great stave) – there is only its ending in bar 256 (the first bar in a new line). It was corrected both in GE and EE. category imprint: Interpretations within context; Differences between sources; Source & stylistic information issues: EE revisions , Inaccuracies in FE , GE revisions , Uncertain slur continuation |
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b. 255
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composition: Op. 16, Rondo in E♭ major
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FE (→GE) lacks the last syllable in the word crescendo. The patent mistake was corrected by the reviser of EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Inaccuracies in FE , Errors repeated in GE |
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b. 255
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composition: Op. 16, Rondo in E♭ major category imprint: Editorial revisions; Source & stylistic information |
major, op. 27, no. 2, 
