mUltimate Chopin

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b. 398

composition: Op. 11, Concerto in E minor, Mvt I

No sign in FE (→GE1→GE2)

 in EE & GE3

[] suggested by the editors
..

The missing ​​​​​​​ mark was probably unintended by Chopin. The addition we suggest is justified by the authentic pedalling of other fragments of a similar texture, e.g. bars 155-161. An identical addition was introduced in EE and GE3.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions , No pedal release mark

b. 398-399

composition: Op. 11, Concerto in E minor, Mvt III

2 slurs from 2nd note in FE

Different slurs in GE1 (→GE2) & EE

2 slurs from first note in GE3
..

Two subsequent slurs starting later than in the adjacent figures must be an inaccuracy of FE, partially repeated in GE1 (→GE2) and EE. In the main text, we move the beginnings of the slurs to over the 1st semiquaver, in accordance with the musical sense and analogous figures. Such a revision was introduced already in GE3.

category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions

issues: Inaccuracies in GE , Inaccuracies in FE , GE revisions , EE inaccuracies

b. 399-432

composition: Op. 39, Scherzo in C♯ minor

..

In GC this whole part is notated in an abbreviated form as a repetition of bars 57-90.

category imprint: Differences between sources

issues: Abbreviated notation of A

b. 399

composition: Op. 21, Concerto in F minor, Mvt III

c2 tied in A, FE (→EE) & GE2

c2 repeated in GE1
..

category imprint: Differences between sources

b. 399

composition: Op. 11, Concerto in E minor, Mvt I

No sign in FE

 in GE & EE

[] suggested by the editors
..

In the main text, we suggest adding a ​​​​​​​ mark before the upcoming harmonic change. A mark in the same place was added both in GE and EE.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions , No pedal release mark