



b. 256
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composition: Op. 11, Concerto in E minor, Mvt III
category imprint: Differences between sources |
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b. 256
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composition: Op. 23, Ballade in G minor
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As in b. 252, Chopin deleted in A the category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: EE revisions , Inaccuracies in FE , Deletions in A |
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b. 256-257
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composition: Op. 23, Ballade in G minor
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The missing d1 notes in the chords must be a mistake by the engraver of EE1 (→EE2). It was corrected only just by EE3. category imprint: Differences between sources issues: EE revisions , Errors in EE |
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b. 256-257
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composition: Op. 23, Ballade in G minor
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In A, there are no staccato/portato dots over the chords in b. 256, while the mark in b. 257, not included by FE (→GE,EE), may be a fleck on paper or a fleck of ink (it is impossible to draw any conclusions on the basis of the available photograph of A). However, taking into account the distinct dots of A in an almost identical motif in b. 252-253, we believe that it is highly likely that Chopin could have generally meant the same performance here. Therefore, in the main text we include the dot in b. 257 and add dots in b. 256, which, being the last in a line, could have been written down less carefully. category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions issues: Inaccuracies in FE , Inaccuracies in A |
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b. 256
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composition: Op. 23, Ballade in G minor
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A (→FE) did not restore the bass clef before the chords. Chopin's mistake was corrected both by GE and EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Errors of A , Errors repeated in FE |