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b. 254
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composition: Op. 49, Fantaisie in F minor
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The A (→GE) and FE1 version is probably Chopin's mistake – the chord is written there in bass clef, while with a greater number of ledger lines, Chopin would relatively often write one too many or one too less. This assumption is confirmed by the changes introduced at the stage of proofreading FE2 (→EE), almost certainly at Chopin's request. category imprint: Differences between sources; Corrections & alterations issues: Errors in the number of ledger lines , Errors of A , Accompaniment changes , Authentic corrections of FE |
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b. 254-255
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composition: Op. 49, Fantaisie in F minor
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The cresc. - - indication was most probably added to A after [FC] had been finished. GE reproduced it inaccurately, suggesting that its range should be longer. EE repeated the indication – in a reduced form – after GE1. Similarly, in bars 258-259. category imprint: Differences between sources issues: EE revisions , Inaccuracies in GE |
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b. 254
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In the main text we add a cautionary category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 254-256
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composition: (Op. 4), Sonata in C minor, Mvt IV
category imprint: Differences between sources issues: Inaccuracies in FE , GE revisions , EE inaccuracies , |
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b. 255
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composition: Op. 43, Tarantella
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We add cautionary category imprint: Editorial revisions |
1 in 
to the 1st quaver. The accidental was also added in 
2 in RH.