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b. 255
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composition: Op. 21, Concerto in F minor, Mvt I
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The traces of corrections, visible in GE1, prove that the slurs were initially divided on the bar line, which means that bars 254-256 were embraced – contrary to the clear notation of A – with three whole-bar slurs. category imprint: Source & stylistic information issues: Authentic corrections of GE , Corrected slurs of Op. 21 in GE1 |
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b. 255-256
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composition: Op. 21, Concerto in F minor, Mvt I
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In Morch Chopin added a tremolo of timpani together with dynamic indications. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A |
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b. 255
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composition: Op. 19, Bolero
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FE (→GE,EE) has a c category imprint: Differences between sources; Editorial revisions issues: Annotations in teaching copies , Errors in FE , Errors in EE , Errors in GE , Terzverschreibung error , Annotations in FES |
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b. 255
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composition: Op. 21, Concerto in F minor, Mvt III
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The absence of the slur in A is probably Chopin's oversight. The bar is the first one on a new page, and the notation reveals distraction, probably following from haste – there is also no staccato dot under G category imprint: Differences between sources issues: Authentic corrections of GE |
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b. 255
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composition: Op. 21, Concerto in F minor, Mvt III
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No articulation markings in this bar points to possible Chopin's oversight in A. category imprint: Differences between sources issues: GE revisions |
2 as the 2nd semiquaver. It is a typical Terzverschreibung error of the engraver (or perhaps of Chopin in the Stichvorlage for 
in this bar and treble clef in the next one. Due to this reason, in the main text we give this slur, although the authenticity of the addition introduced in 
