Issues : Abbreviated notation of A

b. 1-30

composition: Op. 35, Sonata in B♭ minor, Mvt II

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In GC bars 1-69 are provided with numbers (numbers of bars). The numeration is a part of the abbreviated notation of bars 189-257 as a repetition of a respective fragment of the initial section. This manner of notation, characteristic for Chopin, was certainly used also in [A].

category imprint: Source & stylistic information

issues: Abbreviated notation of A , Authentic corrections in GC

b. 85-86

composition: Op. 35, Sonata in B♭ minor, Mvt II

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In GC, in bars 85-86, the part of the L.H. is written in an abbreviated manner with •/• signs. This type of notation, frequently used by Chopin, was certainly used also in [A].

category imprint: Source & stylistic information

issues: Abbreviated notation of A

b. 119-120

composition: Op. 35, Sonata in B♭ minor, Mvt II

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In GC – certainly on the basis of [A] – the bars are written as a repetition of bar 118.

category imprint: Source & stylistic information

issues: Abbreviated notation of A

b. 168

composition: Op. 35, Sonata in B♭ minor, Mvt II

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In GC the bar is written in an abbreviated manner as repetition of the previous one. At the same time, one can see that initially the bar was completely overlooked, whereas a relevant abbreviation was written as an addition. It cannot be excluded that the mistake (or unclear notation) was also in [A]. If so, Chopin had to write a respective addition also there, as FE contains the correct number of bars.

category imprint: Corrections & alterations; Source & stylistic information

issues: Errors of A , Abbreviated notation of A , Authentic corrections in GC

b. 170

composition: Op. 35, Sonata in B♭ minor, Mvt II

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In GC the part of the L.H. is in this bar marked in an abbreviated manner as repetition of the figure in the previous bar.

category imprint: Source & stylistic information

issues: Abbreviated notation of A