b. 303
|
composition: Op. 49, Fantaisie in F minor
..
In FE there is no bottom voice crotchet under the pair of quavers at the end of the bar. The patent mistake was corrected in FE2 (→EE). category imprint: Differences between sources issues: Errors in FE , FE revisions |
||||||
b. 304
|
composition: Op. 39, Scherzo in C♯ minor
category imprint: Differences between sources issues: Errors in GE |
||||||
b. 304
|
composition: Op. 11, Concerto in E minor, Mvt I
..
The manner the 4th semiquaver was printed in FE raises doubts concerning its pitch; it may have been supposed to be a b3, like in the majority of the editions in analogous bar 288. Due to this reason, we consider that it is permissible to play b3 here if one chose b3 in bar 288. category imprint: Editorial revisions |
||||||
b. 304
|
composition: Op. 11, Concerto in E minor, Mvt I
..
According to us, the division of the slur reproduced in the sources is inaccurate, which is facilitated by such configuration. A possible interruption of legato would require shortening f3, written as a quaver, whereas the accented beginning of the slur (b2) would interfere with the long accent on the next note, g2. Therefore, in the main text we suggest modifying the slurs, eliminating the above defects, which is confirmed by the slur in analogous bar 288. The slur of GE3 must be arbitrary, although it is possible to justify it as having been modelled after the authentic slur in the previous bar. category imprint: Differences between sources; Editorial revisions issues: Inaccuracies in FE , GE revisions |
||||||
b. 304
|
composition: Op. 11, Concerto in E minor, Mvt I
..
Having marked arpeggio in analogous bar 287, Chopin probably considered it to be obvious in this place, hence in the main text we suggest adding a wavy line. A similar conclusion was reached by the revisers of GE3 and EE3. category imprint: Differences between sources issues: EE revisions , GE revisions |