



b. 247
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composition: Op. 21, Concerto in F minor, Mvt I
category imprint: Differences between sources |
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b. 247
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composition: Op. 21, Concerto in F minor, Mvt I
..
There are no accidentals in the last group of semiquavers in the L.H. in A. In GE (→FE→EE) the signs were added after the R.H. An authentic cautionary category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Cautionary accidentals , Omission of current key accidentals , Inaccuracies in A |
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b. 247
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composition: Op. 21, Concerto in F minor, Mvt I
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The missing category imprint: Differences between sources issues: GE revisions , No pedal release mark |
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b. 247-248
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composition: Op. 21, Concerto in F minor, Mvt I
..
In both bars, we place the final category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 247-248
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composition: Op. 21, Concerto in F minor, Mvt I
..
In the main text we preserve the notation of the accents of A. It almost certainly marks – in spite of the use of single signs in five out of six places – accenting of respective notes in both hands. In GE1 (→FE) the signs were moved to such an extent that they clearly refer to the R.H. In EE and GE2 all accents were placed both in the part of the R.H. and the L.H., whereas in EE they were changed to vertical accents. category imprint: Differences between sources issues: EE revisions , Inaccuracies in GE , GE revisions |