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b. 295
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composition: Op. 44, Polonaise in F♯ minor
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As with the other similar bars, in FE (→EE) it is only the top note of the 1st R.H. octave that is separated as a crotchet, which is a mistake. To the main text we adopt the notation of GE, which is undoubtedly correct. category imprint: Interpretations within context; Differences between sources issues: Inaccuracies in FE |
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b. 295
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composition: Op. 44, Polonaise in F♯ minor
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Like in analogous b. 36 and 62, we consider the missing dots prolonging the f category imprint: Editorial revisions |
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b. 295
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composition: Op. 44, Polonaise in F♯ minor
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In GE and FE1 there is no accidental to the bottom note of the L.H. chord on the 3rd beat of the bar (d). FE2 and EE added a category imprint: Differences between sources; Editorial revisions issues: EE revisions , Inaccuracies in GE , Inaccuracies in FE , FE revisions |
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b. 295
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composition: Op. 2, Variations, complete
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The term staccato is already in AsI, added in pencil. It is placed slightly earlier than the indication in A, from the beginning of the bar, which is probably related to the arpeggio starting from the 2nd semiquaver (without a rest) – see the note below. category imprint: Source & stylistic information |
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b. 295
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composition: Op. 2, Variations, complete
category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Main-line changes |
1-f
, which we include in the main text. This and other additions were also introduced in b. 
