b. 375-376
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composition: Op. 39, Scherzo in C♯ minor
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Lack of tie on g in FE must have been the engraver's omission. category imprint: Differences between sources issues: Errors in FE |
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b. 375
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composition: Op. 11, Concerto in E minor, Mvt III
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The missing must be Chopin's oversight – in two previous bars, d notes are featured on several occasions as elements of chords and belong to the F minor key, consolidated in the discussed bar. Oversights of accidentals are very frequent in Chopin's oeuvre in such a context. The version with d3 is also supported by analogy with bar 379. Chopin added a in FED; however, it was only just in GE3 that it was added in print. category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , Errors in FE , Annotations in FED , GE revisions , Omission of current key accidentals , Last key signature sign |
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b. 375
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composition: Op. 16, Rondo in E♭ major
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We add cautionary flats before d3 & d1 in the main text. category imprint: Editorial revisions |
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b. 375-376
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composition: Op. 31, Scherzo in B♭ minor
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A comparison with analogous bars (b. 273-274, 293-294 and 396-397) points to Chopin's mistake, almost certain. Therefore, in the main text we include the ties added in GE2 (→GE3). Both ties were added in FESf. category imprint: Differences between sources; Editorial revisions issues: GE revisions , Errors of A |
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b. 375-396
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we give the hairpin written by Chopin in b. 375-376 and 396-397 in FC (→GE). In subsequent GE the marks were arbitrarily extended after b. 273-274. category imprint: Differences between sources; Corrections & alterations issues: GE revisions , Authentic corrections of FC |