Main text
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
compare
  b. 241-246

poco - a - poco - cre - scen - do - in A

poco a poco cresc.  cresc. in GE1

poco - a - poco - cresc. - cresc. in FE

poco - a - poco - cre - scen - do in EE

poco a poco cresc.  cresc. - - in GE2

The poco a poco crescendo indication, carefully planned by Chopin over six bars in A, was reproduced in GE1 in a similar way, yet less logical and legible: dashes combining particular elements of the indication and showing its destination ( in bar 247) were overlooked and particular words were regrouped, by doubling the cresc. indication, which appears in bars 243 and 244. FE repeated the notation of GE1, adding – perhaps at Chopin's request – dashes between particular parts of the indication (in bars 241-244). The last notation was subject to further, seemingly logical changes in EE, as a result of which, however, the crescendo seems to be terminating in bar 244. The notation of GE2 is closest to Chopin's intention; it repeated the indications of GE1, yet adding dashes after the last cresc. until bar 247.

Compare the passage in the sources »

category imprint: Differences between sources

issues: EE revisions, Inaccuracies in GE, GE revisions, Authentic corrections of FE

notation: Verbal indications

Go to the music

.