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b. 352
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composition: Op. 21, Concerto in F minor, Mvt III
..
The layout of the notes in A suggests that the group of quavers initially included only four notes: category imprint: Corrections & alterations issues: Corrections in A , Main-line changes |
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b. 352
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composition: Op. 21, Concerto in F minor, Mvt III
..
Chopin's intention concerning the placement of the accent is uncertain. The change of its position in GE (→FE→EE) is almost certainly of a random nature, since in the version of A (→GE), in which there is a sole a category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 352
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composition: Op. 21, Concerto in F minor, Mvt III
..
In the main text we give an extended slur – probably by Chopin together with adding the d2 note at the beginning of the bar – in the proofreading of FE (→EE). In turn, we omit the triplet slur added in GE (→FE→EE) – cf. General Editorial Principles, p. 16. category imprint: Differences between sources issues: GE revisions , Authentic corrections of FE , Triplet slurs |
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b. 352
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE, there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions |
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b. 352
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composition: Op. 16, Rondo in E♭ major
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In the 2nd half of the bar in FE, the semiquaver beam combines the 2nd and 3rd notes instead of the 1st and 2nd ones. The in this context patent mistake was corrected already in GE and EE. category imprint: Differences between sources issues: EE revisions , Errors in FE , GE revisions |
.
2 at the beginning of the bar, it does not influence the meaning of this sign. After adding the d2 note in 
lowering g
to g. This patent inaccuracy, quite frequent in Chopin's works, was corrected in 
