mUltimate Chopin

Text Compare Notes Sources Description
Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main
Undo Clear

b. 239

composition: Op. 21, Concerto in F minor, Mvt I

in A & GE2

No marking in GE1 (→FE→EE)
..

The absence of  is one of many oversights of GE1 (→FE→EE) in this and the previous bars. The sign was restored in GE2.

category imprint: Differences between sources

issues: Errors in GE , GE revisions

b. 239

composition: Op. 21, Concerto in F minor, Mvt I

..

In the main text we add cautionary flats before the E-e octave.

category imprint: Editorial revisions

b. 239

composition: Op. 11, Concerto in E minor, Mvt III

..

FE (→GE1→GE2) is missing an accidental before the topmost note. A comparison with identical bar 237 proves an unquestionable oversight. A natural was added in EE, GE3 and FEH.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , GE revisions , Omission of current key accidentals

b. 239-240

composition: Op. 31, Scherzo in B♭ minor

No sign in A (→FE→EE)

 in bar 240 in FC (→GE1)

 in bars 239-240 in GE2 (→GE3)
..

In the main text we give the  mark entered by Chopin into FC (→GE1). In GE2 (→GE3) the mark was extended so that it encompasses two bars (from b. 239) after the authentic  mark in analogous b. 107-108. A similar situation can be found in b. 690-691.

category imprint: Differences between sources; Corrections & alterations

issues: Scope of dynamic hairpins , GE revisions , Authentic corrections of FC

b. 239-240

composition: Op. 44, Polonaise in F♯ minor

..

In AImaz the bass sequence is placed an octave higher than in the final version, in which the interval of a tenth between the bass and the bottom notes of the R.H. chords is also kept in b. 180-181.

category imprint: Corrections & alterations; Source & stylistic information

issues: Bass register changes