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b. 237-239

composition: Op. 21, Concerto in F minor, Mvt III

..

In A there is no flat lowering G to G and g to g. This patent inaccuracy was corrected already in GE1 (→FE→EE, →GE2).

category imprint: Interpretations within context; Differences between sources

issues: Omission of current key accidentals , Errors of A , Authentic corrections of GE

b. 237-238

composition: Op. 21, Concerto in F minor, Mvt III

 to bar 238 in A

 in bar 237 in GE (→FE→EE)
..

The shortened  hairpin in the editions was certainly a result of inaccuracy of the engraver of GE1.

category imprint: Differences between sources

issues: Inaccuracies in GE , Scope of dynamic hairpins

b. 237

composition: Op. 16, Rondo in E♭ major

2 accents in FE (→EE)

1 accent in GE
..  

category imprint: Differences between sources

issues: GE revisions

b. 237-239

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering
..

The fingering entered in FEH in bar 237 and repeated in bar 239 bears a strong resemblance to Chopin's handwriting and is compliant with the Chopinesque fingering of similar figurations in the Etude in C Minor, Op. 10 No. 4, bar 2 and analog. or the Nocturne in D​​​​​​​ Major, Op. 27 No. 2, bar 52. Taking into account the above, we give it in the main text.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 237-239

composition: Op. 11, Concerto in E minor, Mvt III

..

In bars 237 and 239, we add cautionary sharps before f​​​​​​​2 in the main text. The accidentals were added already in EE and GE3.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions