mUltimate Chopin

Text Compare Notes Sources Description
Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main
Undo Clear

b. 231

composition: Op. 21, Concerto in F minor, Mvt III

..

In A there are no flats lowering g1 to g1 and g2 to g2. This patent inaccuracy was partially corrected already in GE1 (→FE), by adding the first of the overlooked flats. The correct text is in EE and GE2.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , GE revisions

b. 231-232

composition: Op. 21, Concerto in F minor, Mvt III

Slur to f1 in A, FE (→EE) & GE2

Slur to c2 in GE1
..

Shortening of the slur in GE1 is certainly an inaccuracy stemming from the transition into a new line. The inaccuracy was corrected both in FE (→EE) and in GE2. In the case of FE, Chopin's proofreading cannot be ruled out.

category imprint: Differences between sources

issues: Inaccuracies in GE , GE revisions , Authentic corrections of FE

b. 231

composition: Op. 11, Concerto in E minor, Mvt III

..

In FE (→GE1→GE2), the last note in the R.H. is a crotchet, which is a mistake rectified in EE and GE3. 

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , GE revisions , Errors repeated in GE

b. 231

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering
..

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 231-234

composition: Op. 31, Scherzo in B♭ minor

No signs in A (→FE→EE)

  in FC (→GE1)

  in GE2 (→GE3)
..

In the main text we give   entered by Chopin into FC (→GE1). The shift of the beginning of the  mark in GE2 (→GE3) corresponds to standard revisions adjusting hairpins to rhythmic structures, e.g. bars. The shift of the  mark seems to be an accidental arbitrary decision.

category imprint: Differences between sources; Corrections & alterations

issues: GE revisions , Authentic corrections of FC