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b. 232
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composition: Op. 16, Rondo in E♭ major
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We add a cautionary category imprint: Editorial revisions |
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b. 232
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composition: Op. 22, Polonaise
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The flat restoring b category imprint: Interpretations within context; Editorial revisions issues: Inaccuracies in FE , Omissions to cancel alteration , Errors repeated in GE , Errors repeated in EE |
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b. 232-235
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composition: Op. 44, Polonaise in F♯ minor
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In AImaz the R.H. part includes only the top voice melody; moreover, it differs from the final version in two places:
There are also minor rhythmic differences – see b. 220-242. category imprint: Corrections & alterations; Source & stylistic information issues: Accompaniment changes , Main-line changes |
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b. 232-235
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composition: Op. 44, Polonaise in F♯ minor
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In AImaz the form of the accompaniment is much simpler. In b. 232-233 it consists of two crotchets (bass and chord) and rests. In b. 234-235 there are crotchets only following the bass-chord-chord scheme, whereby both bars are almost exclusively based on a B major chord (it is only on the 3rd beat of b. 234 that an E major chord appears). category imprint: Corrections & alterations; Source & stylistic information issues: Accompaniment changes |
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b. 232
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composition: Op. 23, Ballade in G minor
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The version of GE1a with an a2-f3 sixth resulted from a routine revision based on the idea that diminished or augmented octaves generally come from oversights or mistakes. category imprint: Differences between sources issues: GE revisions |
before c4 in the main text.
2 at the beginning of the last triplet does not appear in any of the sources. It seems that it was believed that the 
before b
1, while in the final version – b1;
