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b. 330-331

composition: Op. 21, Concerto in F minor, Mvt III

b-d1 repeated in A (→GE)

b-d1 tied in FE (→EE)

..

The tie of the b-dthird is probably a Chopinesque correction, introduced in the proofreading of FE (→EE).

category imprint: Differences between sources

issues: Authentic corrections of FE

b. 330

composition: Op. 21, Concerto in F minor, Mvt I

f in A (→GE) & EE 

d in FE

..

The version of FE is almost certainly erroneous (in that edition a number of Terzverschreibung mistakes was committed). The error was corrected in EE.

category imprint: Differences between sources

issues: EE revisions , Errors in FE , Terzverschreibung error

b. 330

composition: Op. 2, Variations, complete

..

In GE3 two Terzverschreibung mistakes were committed in this bar – g1 instead of e1 on the 2nd semiquaver in the bar, and C instead of E on the 2nd L.H. quaver.

category imprint: Interpretations within context; Differences between sources

issues: Errors in GE , Terzverschreibung error

b. 330

composition: Op. 2, Variations, complete

Long accent in AsI

 in A

 in GE (→FE,EE)

..

According to us, the version of the editions resulted from inattention of the engraver of GE1, who did not notice the change of dynamic indications at the end of the bar. The crescendo in A emphasises the dissonant chord, introducing E major as a new key, constituting the starting point for further modulation. The accent in AsI confirms that from the very beginning Chopin wanted to underline the chord on the 6th quaver in the bar.

category imprint: Differences between sources

issues: Errors in GE

b. 331

composition: Op. 21, Concerto in F minor, Mvt I

..

In the main text we add a cautionary  before a.

category imprint: Editorial revisions