



b. 231
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composition: (Op. 4), Sonata in C minor, Mvt IV
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As in bar 229, the A slur is probably inaccurate. In the main text we include its interpretation adopted by GE (→FE,EE,IE). category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A , GE revisions |
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b. 232
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composition: Op. 39, Scherzo in C♯ minor
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In the main text we give category imprint: Differences between sources |
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b. 232-235
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composition: Op. 42, Waltz in A♭ major
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The range of the slur written by Chopin into FEG is difficult to evaluate on the basis of the available photocopy. The reading in GE1 suggests it might have actually been longer than its today visible part. Taking into consideration the phrase structure and slurring of the analogous phrases in bars 245-260 and 89-103, we deem three out of all source-based slurring justified: FEG, FE and EE (GE2, GE3). In the main text we accept the latter because both the starting and ending points of this slur appear in more than one authentic source: the phrase mark begins from the semiquaver in FEG and EE, and it reaches bar 235 in FE and EE. category imprint: Interpretations within context; Differences between sources issues: Inaccuracies in GE , GE revisions , Authentic corrections of GE |
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b. 232-234
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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The version of FE is most probably accidental – the engraver forgot about the dashes in the new line of the text. The addition in EE may come from Chopin, although it cannot be excluded that according to Chopin, the crescendo was supposed to be led until category imprint: Differences between sources issues: Authentic corrections of EE |
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b. 232-234
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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Before the top note of the last octave in bar 232 and the 2nd one in bar 234, there are no accidentals in GC and the earlier FE. The necessary signs – category imprint: Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , FE revisions , Inaccuracies in GC |