



b. 230-231
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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Same as in bars 30-31 (the recapitulation is not written out in GC), the absence of the tie sustaining a2 is probably an oversight of the copyist. category imprint: Differences between sources |
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b. 230-231
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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The natural before the 5th quaver in the L.H. in bar 230 (c1) was added only in GE2. The natural before the 1st quaver in bar 231 (d1) is absent in FE; it was added in EE. The sign is also in GC, in which it is added by Chopin's hand (in bar 43), and in GE, which is based on it. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Errors in EE , GE revisions |
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b. 230
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composition: Op. 21, Concerto in F minor, Mvt I
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In this bar, it is unclear what kind of accents Chopin meant – in A the first two may be interpreted as long or short, the third one is long and the fourth one is short. A comparison with analogous bars – see bar 226, allows to resolve the doubt in favour of long accents. We discuss the fourth of them separately due to the sign's vague placement. In GE1 (→FE→EE), the first and third accents were overlooked, which was corrected in GE2. All accents in the editions are short, although the sign in FE could be considered to be long. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , Errors in GE , GE revisions , Inaccuracies in A |
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b. 230
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composition: Op. 21, Concerto in F minor, Mvt I
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The a category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Terzverschreibung error , Errors of A , Authentic corrections of GE |
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b. 230
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composition: Op. 21, Concerto in F minor, Mvt I
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One can see Chopin's proofreading in the version of FE, since a category imprint: Differences between sources issues: EE revisions , Terzverschreibung error , Authentic corrections of FE |