



b. 228
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composition: Op. 21, Concerto in F minor, Mvt I
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The placement of the category imprint: Graphic ambiguousness; Differences between sources issues: EE revisions , Inaccuracies in GE , Inaccuracies in A |
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b. 228
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composition: Op. 19, Bolero
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The difference in the sound of the last chord in bars 116 and 228 could have been unintended. It is indicated by lack of other harmonic differences between the exposition and reprise. Chopin could have, e.g. changed bar 116, forgetting about analogous bar 228; he was prone to such inaccuracies while performing proofreading. Therefore, we suggest here an alternative version, analogous to bar 116. category imprint: Interpretations within context |
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b. 228-229
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composition: Op. 21, Concerto in F minor, Mvt III
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According to us, a new slur starts in bar 229 in A, although the previous one ends very close to its beginning. However, the combined slurs in GE (→FE→EE) are not a result of an inaccurate interpretation of A, but of proofreading, probably a Chopin one. Nevertheless, the visible traces of corrections suggest that the composer corrected other, erroneous slurs, and not the version of A. Due to this reason, in the main text we give a musically unquestionable division of the slur written in A. category imprint: Differences between sources issues: Authentic corrections of GE , Corrected slurs of Op. 21 in GE1 |
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b. 228
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composition: Op. 16, Rondo in E♭ major
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GE includes an erroneous "leggiere" instead of "leggiero." category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 228-229
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composition: Op. 11, Concerto in E minor, Mvt III
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The missing staccato wedges in GE most probably result from distraction of the engraver of GE1 – he overlooked also three slurs in this bar as well as a note in bar 230. category imprint: Differences between sources issues: Errors in GE |