Main text
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
compare
  b. 227-228

Overlooked accidentals:

  • in A, the R.H. – flats of g2g3 in bar 227 and g1 in bar 228, naturals of a2a3 in bar 227 and a1 in bar 228; the L.H. –  of a and  of g2 in bar 227;
  • in GE1 (→FE1), the R.H. – flats of g2g3g2 in bar 227 and g1 in bar 228, naturals of a2a3 in bar 227 and a1 in bar 228; the L.H. –  of g2 in bar 227. With respect to A, a  of was added;
  • in FE2, the R.H. – flats of g2 and g1 in bar 228, naturals of a2a3 in bar 227 and a1 in bar 228; the L.H. –  of g2 in bar 227. With respect to GE1, flats of g2g3 were added in bar 227;
  • in EE1 (→EE2), the R.H. – flats of g2 and g3 in bar 227. All missing signs were added with respect to FE2, yet flats added in FE2 were overlooked, which means that they were added in the last phase of proofreading.

Compare the passage in the sources »

category imprint: Interpretations within context; Differences between sources

issues: EE revisions, Errors in FE, Accidentals in different octaves, Errors in EE, Errors in GE, GE revisions, Authentic corrections of FE, Inaccuracies in A

notation: Pitch

Go to the music

.