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b. 225

composition: Op. 11, Concerto in E minor, Mvt III

a3-a3 in FE

b3-a3 in GE, EE & FEH (contextual interpretation)

a3-b3 in FEH, literal reading

..

The version of FE is almost certainly erroneous: both the missing interval of an octave before the topmost note of the passage and repetition of this note disrupt the regular melodic and pianistic nature of the figuration – cf. analogous phrases in bars 221 and 228-231. The correction of the text in the remaining editions was most probably introduced on the basis of comparison with the analogous bars. Moreover, a correction is written also in FEH; however, it was not the sixth but the seventh semiquaver that was changed, probably by mistake. 

category imprint: Interpretations within context; Differences between sources

issues: Annotations in teaching copies , EE revisions , Errors in FE , Errors resulting from corrections , GE revisions , Annotations in FEH

b. 225

composition: Op. 11, Concerto in E minor, Mvt III

..

In the main text, we add a cautionary  before a3. In turn, we omit the ​​​​​​​ before a1 in the chord in the L.H., which is present in FE (→EE). Its absence in GE may mean that it was added in the last phase of proofreading (cf. bar 221). 

category imprint: Editorial revisions

issues: Cautionary accidentals , Authentic corrections of FE

b. 225

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 225

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering

..

In FEH, a '1' was initially written over the 2nd quaver (by mistake?  – cf. bar 228), which was then changed to a '5'.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 225

composition: Op. 16, Rondo in E♭ major

..

We add a cautionary  before e​​​​​​​2 in the main text.

category imprint: Editorial revisions