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b. 317

composition: Op. 2, Variations, complete

2 wedges in A

Wedge in GE1 (→FE,EE,GE2→FESB)

No marks in GE3
..

Missing wedges result from oversights by the engravers of GE1 and GE3.

category imprint: Differences between sources

issues: Errors in GE

b. 318

composition: Op. 21, Concerto in F minor, Mvt I

No slur in A

4-quaver slur in GE1 (→FE→EE)

3-quaver slur in GE2
..

The absence of the last of the three-quaver slurs in the L.H. is almost certainly Chopin's oversight. The slur was added in GE1 (→FE→EE), by embracing the entire 2nd half of the bar with it. According to us, the addition can come from Chopin; however, it was most probably misinterpreted by the engraver. In GE2 the slur was shortened after previous figures, which we give in the main text as probably corresponding to Chopin's intention.

category imprint: Differences between sources; Editorial revisions

issues: Inaccuracies in GE , GE revisions , Authentic corrections of GE

b. 318

composition: Op. 21, Concerto in F minor, Mvt III

..

In the main text we add a cautionary  before g3.

category imprint: Editorial revisions

b. 318

composition: Op. 11, Concerto in E minor, Mvt I

No accidental (d3)  in FE (→EE,GE1→GE2)

 (d3) in GE3

 (d3), our alternative suggestion
..

There is no accidental before the penultimate semiquaver in the majority of the sources. When interpreted literally, it is a d3 due to the  before the 2nd semiquaver. This version, inconsistent notation (e2-d3) aside, implements the harmonic scheme of such figures in bars 315-318, using chord elements only, and we give it as such in the main text, adding a reminding  before the discussed note. However, one cannot exclude an oversight of the alteration's cancellation by Chopin, which is one of his most frequent mistakes. The version with d3, resulting from such an assumed mistake, continues the melodic and pianistic scheme defined in the two previous figures, which we suggest as an acceptable variant. 

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: Omissions to cancel alteration , GE revisions

b. 318

composition: Op. 11, Concerto in E minor, Mvt I

..

The sources feature a cautionary  before c2 and a reminding one before a1 in the 3rd chord. In the main text, we omit both marks, which are, according to us, unnecessary. In turn, we add a cautionary  before e2. 

category imprint: Editorial revisions

issues: Cautionary accidentals