



b. 224
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composition: Op. 49, Fantaisie in F minor
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As before, in the 2nd half of the bar Chopin did not write accidentals in the R.H. part in A (→GE1). This version was also repeated by FE1, while FE2 (→EE) added both naturals. GE2 added only the latter (a3), probably assuming that a category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , FE revisions , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE |
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b. 224-225
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composition: (Op. 4), Sonata in C minor, Mvt I
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In the main text we do not include the inauthentic R.H. part fingering added by EE2. category imprint: Differences between sources issues: EE revisions |
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b. 224-225
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In the L.H. part in EE1 in bar 224 the text of the next bar was printed (without performance markings and the ledger line for the 2nd crotchet). It resulted in an erroneous, although acceptable in terms of pitch, text in bar 244 (c category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Errors in EE , GE revisions , Inaccuracies in A |
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b. 225
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composition: Op. 43, Tarantella category imprint: Differences between sources; Editorial revisions issues: Errors in GE , Errors of A |
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b. 225
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composition: Op. 43, Tarantella
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In IE there is no category imprint: Interpretations within context; Differences between sources |