b. 313
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composition: Op. 21, Concerto in F minor, Mvt I
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According to us, an inaccurate notation of the slurs in A (→GE→#FEA) is more likely than an intentional change of slurring between this bar and its analogous predecessor (bar 311). category imprint: Editorial revisions |
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b. 313-314
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composition: Op. 21, Concerto in F minor, Mvt III
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In A there is no raising d1 to d1 on the 4th quaver in bar 313, whereas the signs in bar 314 were added with pencil. In spite of the obvious accuracy of these additions, their authenticity is not certain, since other additions made with pencil in A were added rather by a foreign hand – cf. bar 256 and 310. All sources include a raising d1 to d1 in the last quaver in bar 313. We omit this sign in the main text, since after the oversight on the 4th quaver had been corrected, it became superfluous. category imprint: Interpretations within context; Differences between sources issues: GE revisions , Foreign hand additions in manuscripts , Omission of current key accidentals , Errors of A |
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b. 313
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composition: Op. 11, Concerto in E minor, Mvt I
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In EE, the motivic slur of c2-b1, present in FE (→GE), was replaced with a tie to c2 from the previous bar, probably by analogy with bars 296-297. category imprint: Differences between sources issues: EE revisions |
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b. 313
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composition: Op. 16, Rondo in E♭ major
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The missing tie of f1 is probably an oversight of the engraver of FE or of Chopin, hence we add it like it is in similar bar 315 and 317. It was also added by the reviser of GE2. category imprint: Differences between sources; Editorial revisions |
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b. 313
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composition: Op. 44, Polonaise in F♯ minor
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Chopin most probably removed this note while proofreading FE1, which we include in the main text. category imprint: Differences between sources; Corrections & alterations |